On the subtly titled “Legacy,” he uses a light five verses to clash with himself about whether becoming a rap legend is worth spending less time with his family. Yet Logic is all in, dedicating himself to fitting in as the latest Wu-affiliate, which rubs off on the Wu who, for once, don’t take that cushiony Def Jam direct deposit for granted.īut most of the time, Logic is chasing his legacy-defining dreams. Logic dragging his fans into sitting through a bottom-rung flex like getting every living Wu-Tang member on a track isn’t how anyone, even the most diehard Logicians, should want to spend their time. “Wu-Tang Forever” should’ve been the worst eight minutes of 2018. It’s six minutes long but it feels weightless as a piano-laden beat change-up keeps it fresh while Logic is at home making his bold proclamations (“Respected by my peers from Drizzy to Cole to Kenny”).
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The title track-Logic’s tribute to the late Mac Miller-samples Nas and AZ’s “ Life’s A Bitch” and Logic just spits. The most memorable Young Sinatra IV moments come when Logic forgets the whole magnum opus thing and stops trying to be the rap Tony Robbins. Logic can start off fine but will often delve into tiresome three-, four-, and even five-verse tracks going off on incomplete, uplifting rambles. If it does, you better be spitting some mind-rattling shit, and he assuredly isn’t. But his obsession with his legacy causes him to violate a 2018 rap truism: no rap song should go beyond two verses. Here’s the thing about Logic: He can rap.
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